Upon browsing through my fellow students CRIM2027 Blogs I came across one, Siobhan Wright’s Blog. Within her “Blog #2: Graffiti – Crime or Art?” I noticed two distinct photos that stood out by comparison to many I had looked at for guidance in my final compulsory text based on the analysis of a fellow student! The first is a photograph of a “throwie”, surrounded by numerous “tags” as they are commonly known in the world of graffiti. Secondly, the highly recognisable works of one of the worlds most notorious stencil artists, Banksy! Siobhan had me interested, so I looked for more information on her blog to no avail! So here I am with, “Graffiti – Crime or Art? – Take Two!”
The common perception of graffiti is a sensationalised one, often linked to gangs and youth violence as well as the degradation of what the typical middle class would recognise as acceptable. This view is highlighted in D'Cruze’s 2003 article, “Lifestyles: Street Art or Street Vandals?” where she states that “media's portrayal of graffiti is almost solely negative, concentrating on the cost of removal, vandalism and loss of property value. Rather than look at graffiti as a form of urban expression it has generally been seen as a sign of urban decay, and the decomposition of middle class values.” Though times are changing… There are many arguments portrayed by graffiti artists themselves and below is a great video on the ideologies and reasoning’s behind one of Australia’s largest growing cultural trends. Of particular interest are the first few minutes with one of L.A’s top graffiti artists “TLOK” (excuse the language, but aren’t they just ferals!?”).
According to the Liberals and Nationals hilariously named report, “Graffiti Crackdown: You Spray, You Pay”, between 2001 and 2008 there was a total of 809,411 incidents of malicious damage to property reported to police with 9% of these being incidents of graffiti. They also state that in 2002, the State Government estimated graffiti cost the community $100 million per year though the lack of reporting and proper statistical monitoring of graffiti crime means eight years after this figure was first provided that the state is no closer to knowing the cost of graffiti today.
Now, I’ve got two young brothers, they are artists, they DO graffiti and they are influenced by those around them. The media hating graffiti makes it worse, they don’t care, it’s the risk involved, the thrill, being known, looking good and being artistically different that makes the graffiti world go around. Supporting people like Banksy doesn’t help, his pieces going for record prices including 102,000 pounds in England! Again, here is another video for your viewing.
In the end there must be a way to cater for this rise in popularity and hate in public eyes; public walls and spots are an option but in the end I believe what will be, will be…